LOVE IS A FALLACY练习答案

3. The narrator considers Petey Burch dumb as an ox because he thinks Petey to be unintelligent, an emotional and impressionable type of person. However, Peteyr s worst fault is that he is a faddist, he is swept up in every new craze that comes along.

4. He decided to teach Polly Espy logic because he wanted not only a beautiful wife but also an intelligent one. The narrator wanted a wife who would help to further his career as a lawyer. He found Polly had all the necessary qualities except intelligence. This he decided to remedy by teaching her logic. He succeeded only too well for in the end Polly refused to go steady with him and employed all the \fallacies\

5. (1) The fallacy of accident is committed by an argument that applies a general rule to a particular case in which some special circumstances (\makes the rule inapplicable. This is the \(2) The converse fallacy of accident argues improperly from a special case to a general rule. The fact that a certain drug is beneficial to some sick persons does not imply that it is beneficial to all men. This is the fallacy of \the text.

(3) The fallacy of irrelevant conclusion is committed when the conclusion changes the point that is at issue in the premises. Special cases of irrelevant conclusion are presented by the so- called fallacies of relevance. These include: (a) the argu- ment \Hominem \(speaking \the man\rather than to the issue, or the fallacy of *'Poisoning the Well\a personal attack on a person who holds some thesis, instead of offering grounds showing why what he says is false; (b) the argument \to \a trial lawyer, rather than arguing for his client's innocence, tries to move the jury to sympathy for him. (4)The fallacy of circular argument or \the question\occurs when the premises presume, openly or covertly, the very conclusion that is to be demonstrated (example :\always votes wisely. \how do you know? Because he always votes Libertarian. \cause mislocates the cause of one phenomenon in another that is only seemingly related. The most common version of this fallacy, called \hoc, ergo propter hoc\mistakes temporal sequence for causal connection--as when a misfortune is attributed to a \consists in demanding or giving a single answer to a question when this answer could either be divided (example: \you like the twins?\yes nor no; but Ann yes and Mary no. \refused altogether, because a mistaken presupposition is involved (example-\(\does not follow\still more drastic than the preceding, occurs when there is not even a deceptively plau- sible appearance of valid reasoning, because there is a virtually complete lack of connection between the given premises and the conclusion drawn from them.

Ⅲ.1. The title of the story is humorous and well chosen. It has two meanings. When \delusive quality about love. \When it is taken as a specific term in logic, the title

means. \

2. Yes, I can. The whole story is satirizing a smug, self-conceited freshman in a law school. The freshman is made the narrator of the story who goes on smugly boasting and singing praises of himself at every chance he could get. From the very beginning in paragraph 4, he begins to help on himself all the beautiful words of praise he can think: cool, powerful, precise and penetrating. At the same time the narrator takes every opportunity to downgrade Petey Bureh. For example, he calls him \%upstairs \\\\and \faddist \as for Polly Espy, she is \3. The purpose of this essay is to demonstrate that logic, far from being a dry, pedantic subject, is a living, breathing thing, full of beauty, passion, and trauma. Logic may be an interesting subject. The writer is exaggerating for the sake of humor. The writer employs a whole variety of writing techniques to make his story vivid, dramatic and colorful. The lexical spectrum is colorful from the ultra learned terms used by the conceited narrator to the infra clipped vulgar forms of Polly Espy. He uses figurative language profusely and also grammatic inversion for special emphasis. The speed of the narration is maintained by the use of short sentences, ellip- tical sentences and dashes throughout the story. This mix adds to the realism of the story, 4. The writer deliberately makes Polly Espy use a lot of exclamatory words like \\\wow-dow \and clipped vulgar forms like \\\etc. to create the impression of a simple and rather stupid girl. This contrasts strongly with the boasting of the narrator and thus helps to increase the force of satire and irony.

5. The narrator does such a final attempt to make Polly forget the fallacies he has taught her. He may yet be able to convince Polly that he loves her and that she should go steady118 with him.

6. The topic sentence of paragraph 50 is the second sentence--\\other words, he uses illustrative examples to develop the theme stated in his topic sentence.

7. Because he begged Polly's love, which was refused. He might get the same result as Frankenstein, who created a monster that destroyed him, not as Pygmalion, who was loved by his own statue of Galatea.

8. The conclusion is ironic because the whole thing backfires on the narrator when Polly refutes all his arguments as logical fallacies before finally rejecting him. The end of the story finds that the narrator has got what he deserves. He has been too clever for his own good.

IV. 1. The fallacy of unqualified generalization or \secundum quid\

2. The fallacy of Hasty Generalization.

3. The fallacy of \4. The fallacy of Hypothesis Contrary to Fact. 5. The fallacy of \6. The fallacy of Ad Misericordiam.

7. The fallacy of unqualified generalization. 8. The fallacy of HaMy Generalization. V. See the translation of the text.

Vl. 1. discipline :a branch of knowledge or learning

2. dynamo: an earlier form for generator, a machine that converts mechanical energy into electrical energy

3. flight :fleeing or running away from 4. Charleston: a lively dance in 4/4 time, characterized by a twisting step and popular during the 1920's

5. shed: cast off or lose hair

6．in the swim：conforming to the current fashions。or active in the main current of affairs

7?practice：the exercise of a profession of occupation

8?pin—up：(American colloquialism)designating a girl whose sexual attractiveness makes her a subject for the kind of pictures often pinned up on walls 9?makings：the material or qualities needed for the making or development of something -

10?carriage：manner of carrying the head and body：physical posture bearing：way of carrying oneself：manner

11．go steady：(American colloquialism)date someone of the opposite sex regularly and exclusively：be sweethearts

1 2．deposit：(facetious)put，lay or set down

l 3．brief：a concise statement of the main points of a law case。usually filed by counsel for the information of the court 14．1et—up：stopping；relaxing

Ⅶ．1．fashion和fad均为名词。fashion主要指某人，尤其指文学、艺术界或社会上流人物在某一特定场合或时间内穿衣、讲话等方面的姿态或习惯。fad指由某种感情引起的一时的爱好或者一时流行的风尚。 2?incredulous和incredible均为形容词。incredulous是“不轻易相信的”、“表示怀疑的”的意思，指对某人的能力或意志力持怀疑和不相信态度。incredible是“不可相信的”意思，指某件事不平凡或不大可能存在，因而表示怀疑或不可相信。 3?passion和eagerness均为名词。passi‘on指一种强烈的愿望或感情，这种愿望或感情往往会产生一种不可抗拒的或者 必然的结果。eagerness意即“渴望”或“热情”，但往往含有不耐烦的意味。 4．feeling和emotion均是名词。feeling在没有上下文限制的时候，往往指人们在主观上反映的一种高兴或不高兴的感觉或感情。emotion指由于精神上或身体上受到外界某种刺激而引起的一种强烈的情感或情绪。 5．reveal和show均为动词。reveal指公开或揭露某种秘密或隐蔽的东西，好像是揭开一种掩饰物似的。show指某种事物或者东西“展现”在眼前，以便能看得到和看得清。 6．tempt和incline均为动词。tempt意为“引诱”、“诱惑”，指一种强有力的诱惑，这种诱惑能克服对某一事物的顾忌或推断。incline意为“倾向于”、“有?的倾向”，指对某事物或行动或多或少表现出一种暖昧的心理倾向。 7．exasperation和disappointment均为名词。exasperation指使某人忍无可忍或者使某人失去自控力的强烈愤怒或生气。disappointment意为“失望”、“失意”，指某人对某件事情感到没希望或失去信心。 8．indulge和tolerate均为动词。indulge意为“纵容”、“容许”，指由于意志力的软弱或对事物的热心而对自己或他人的希望或愿望的一种屈从。tolerate意为“容忍”、“忍受”，指以自我克制的态度对待令人厌恶、令人反感的东西，含

有“默认”或“宽恕”的意味。 9．amusement和merriment均为名词。amusement意为“娱乐”“消遣”、，指一种令人愉快的精神消遣，尤其是某种幽默的事物或谈笑使人感到很有乐趣。merriment意为“愉快”、“欢乐”，指充满趣味和笑声的某种事物。 10．1anguish和suffer均为动词。languish指由于渴望而苦恼或遭受痛苦。suffer指由于伤害、悲痛或损失等原因而被迫遭受、蒙受痛苦或不愉快的事情。

Ⅷ．1．这几个词都是形容词，指人的智力或感觉等方面具有较高的灵敏性或灵活性。keen指在智力或感觉、视觉、听觉等五官方面是敏锐的或敏捷的，尤指具有解决复杂或疑难问题的特殊能力。 acute意为“敏锐的”，指具有观察到别人没有注意到的某种意义、感情、意见、颜色、音调等的细微差别的能力，也指具有某种非常敏锐的神经注意力，这种注意力持续的时间不长。 astute意为“敏锐的”、“精明的”、“聪明的”，指对某领域或某学科有很深的造诣或者有一定的体验的能力或洞察力。perspicacious在这些单词中最为正式的用词，强调具有高度的洞察力。 calculating意为“精明的”，“精于算计的”，尤指会打小算盘。2．intelligent指具有善于从经验中学习或领会或对新事物迅速作出反应的能力。 clever意为“聪明的”，“伶俐的”，指善于理解、善于学习，但有时含有“不够深入”的意思。alert意为“机敏的”，指善于观察和行动，强调善于抓住某个时机。bright和smart比较口语化，一般可代替前面几个词中的任何一个。 brilliant意为“英明的”，指具有非凡的智力或理解力。 Ⅸ．1．biology；mineralogy；geology；eulogy；micrology 2．gastritis；neuritis；hepatitis；arthritis；tonsillitis 3．1inguist；absolutist；violinist；chartist；pragmatist 4．buoyancy；decency；complacency；consistency；fluency 5．politics；economics；dynamics；histrionics；dialectics 6．closure；erasure；exposure；puncture；expenditure X．Simile： 1)My brain was as powerful as a dynamo。as precise as a chemist’s scales，as penetrating as a scalpel(comparing his brain to three different things)． 2)First he looked at the coat with the expression of a waif at a bakery window(comparing his torn expression with the expression of a hungry homeless child looking longingly at the bread at a bakery window)．

3)?the raccoon coat huddled like a great hairy beast at his feet(comparing the coat with a hairy animal)．

Metaphor： 1)There follows an informal essay that ventures even beyond Lamb’s frontier(comparing the limitations set by Lamb to a frontier).

2)'\logic, far from being a dry, pedantic discipline, is a living, breathing thing, full of beauty, passion, and trauma (comparing logic to a living human being). 3)In other words, if you were out of the picture, the field would be open (meaning that if you' re no longer involved with her /if you stop dating her, others would be free to compete for her friendship).Hyperbole ~1)It is not often that one so young has such a giant intellect (hyperbole for effect).2)\he just stood and stared with mad lust at the coat (an exaggeration to describe his great longing for the coat as \lust\

3)You are the whole world to me, and the moon and the stars and the constellations of outer space (exaggeration for effect).

Metonomy ~1)Otherwise you have committed a Ditto Simpliciter (Otherwise you have committed a logical fallacy called \2)You are guilty of Post Hoe if you blame Eula Becker (You have committed the logical fallacy called Post Hoe).