破碎的景观- 戈尔丹莱德勒纪念馆 - 图文

GordanLederer Memorial by NFO

破碎的景观 - 戈尔丹莱德勒纪念馆

NFO建筑事务所与雕塑家PetarBari?i?合作的戈尔丹莱德勒纪念馆日前已在克罗地亚的科斯塔伊尼察市?ukur山上对外开放。该纪念馆是为了纪念1991年8月10日在此被狙击手结束生命的戈尔丹莱德勒。

The public competition for GordanLederer Memorial was announced in 2014 by Croatian

Radiotelevision – HRT as part of a plan to mark all the locations where HRT cameramans and photogaphers were killed during the war in Croatia in the 90?s. GordanLederer was killed on 10th of August 1991. by a sniper shot while filming on?ukur hill in Bania region in Croatia.

Competition was won by NFO architecture studio and sculptor PetarBari?i? with a proposal called ?Broken Landscape”. The memorial was unveiled in august 2015 on the 24th anniversary of Lederer?s death.

面对着乌纳河谷壮丽景色的纪念馆是建筑与雕塑的融合体。其造型为一个纯粹的圆环，人们通过一条铺在草坪上的混凝土石板弯路到达，地面上的每一块混凝土石板都刻有戈尔丹莱德勒年度纪事，直至最后一块空空如也－－这是戈尔丹莱德勒死去的那一年。圆环中的玻璃被弹孔穿透，这象征着狙击手射向戈尔丹莱德勒的子弹。此种表达方式让人们直面事件的真相。同时这个完美的不锈钢圆环也意味着24年间风景如旧的大地上的生活具有连续性。从河对岸看，这件作品变成了一个巨大的阳光反射板。

GordanLederer Memorial emerged as a multidisciplinary process between architecture and

sculpture. This duality developed a project that combines different approaches to the same subject matter, understanding the problem through a number of aspects.

From the very start it was clear that the base of the project was already given by Lederer himself selecting the location for his final session. The challenge of the location, ?ukur hill, which offers amazing view of the Una river valley, became the starting point of all concepts, more or less successful. Discussions and sketches that have marked most of the creative process led to the concept that eventually remained clean and striped of unnecessary layers of meaning or expressiveness but still with opportunity for individual interpretations.

Memorial ??Broken Landscape?? consists of access path and a broken camera lens. The path,

designed as a pathway of Lederer?s life, is encrypted in the concrete slabs laid on the grass. Coding is performed in such a way that the concrete slabs are ??chained?? in black steel frames, each

engraved with the year of Lederer?s life in negative as an interpretation of film frames. The path goes tensely through natural terrain leading to the last slab, a memorial plateu, without a number, representing the year of his death. Bench on the memorial plateu is reduced to the maximum and is really just a part of the path that gently raises from the ground indicating the end of the path and a final view in real and figurative sens. Through the text placed on the memorial plateu: ?? … now that August mornings are peaceful and at ease, a bright melancholy in GordanLederer?s eyes beams through the dawns of Banija…?? visitor enters the contemplation and observes the Lens. The Lens alone, thrown in the grass in front of the plateau directs visitors view to the valley

looking at “the last shots” that GordanLederer took. The glass membrane pierced with a shot from a sniper, stops visitors glance for a moment and confronts them with the reality of events on that location. In the same time perfect stainless steel circle suggests the continuity of life, framing view of the same landscape filmed 24 years ago at the same place. Viewed from the River Una Valley, Memorial is dematerialized as a sun glint reflected on the broken lens surface.