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After the war, as post-war companies and the products they produced grew in size, scope, and complexity, many of the systems analysts found opportunities in the commercial sector. While this post-war focus gave rise to the formation of HFES in 1957, the early origins of human factors can be traced back to the development of mass production and the need to improve efficiency in production. As the nature of work shifted away from craft production and agrarian labor, new concepts for working in factories evolved. The Ford assembly 1ine and Taylor?s theories of efficiency started to have an effect on the planning of the nature of work and education, and even in home economics, where women were instructed to organize and plan their homes around modem principles of domestic management. At the end of the 20th century, there is a much broader concept of human factors emerging£®This new version is in response to the recognized need for a deeper insight into customers? patterns of behavior. It is starting to involve qualitative research methods and to explore emotional as well as cognitive issues in human factors. The HFES has a variety of technical groups, including aging cognitive engineering and decision making, environmental design, individual differences, industrial ergonomics, medical systems and rehab, macroeconomics, safety, and visual performance. Currently, however, most research in the discipline of human factors focuses on usability, not on desire.

There are a number of new trends that are beginning to change the way companies attempt to know their customers and their needs, wants, and desires. Many companies are using ethnography as a research tool in early stages of product development. Ethnographic techniques are qualitative processes that take methods from cultural anthropology and apply them to the field of product research. These techniques are proving to be valuable in early phases of marketing and in helping product teams develop the actionable insights they need to translate into the style and features that people are looking for. A second reason this is changing is the result of the new locus on brand management. Many companies realize that giving a product a strong brand identity is a clear competitive advantage. The book Marketing Aesthetics by Schmitt and Simonson describes the value of a visual identity system and how all aspects of a product must communicate clearly and consistently with customers. A successful brand creates a Gestalt image in the market formed from a variety of factors, which include the look and features of the product, the name, the advertising, the price, and the perceived value to the customer, By taking a broader view of what it means to

factor the characterization of humans, this new category of human factors explores how a company?s core values call connect with the lifestyle goals of its customers. Harley Davidson has created one of the most powerful brand identifies in the world, which merges the logo, core product (motorcycle), and complementary lifestyle products (clothing and gear) with the way their customers want to live their lives. Even the noise a Harley makes is part of the brand. Another reason the study of human factors is changing is as a result of the emergence of interaction design. Interaction design is a new area in human factors research and is based on human-computer interaction (HCI). This group recognizes that there is a need to create more humane interactive products that cross hardware and software boundaries. It is also clear that quantitative research is not enough to solve these problems alone. Ethnographic research has become a part of HCI research so that researchers can better understand how people use and need computing in work and play (and how computers are integrating work and play).

While the human factors discipline is comprised primarily of professionals and faculty from the fields of systems engineering£¬physiology£¬and cognitive psychology, both the origins and current manifestations of the field are far broader. For nearly a century advertising, marketing, industrial design, communication design, architecture, and the entertainment industry have all used a variation of human factors to help to define the parameters and evaluate the success of their products. Although these other fields may have lacked the formal research and forum for dissemination of their methods through academic journals£¬recently their methods for abstracting behavioral models and likes and dislikes of their customers have found important relevance in industry and research. The newer view of human factors by those in the field reaches out to this view of what it means to characterize and interface with the human. A human factors/ergonomics conference held in Singapore in the Summer of 2001 used the term ¡°Affective Human Factors¡± as the theme. The conference was endorsed by the International Ergonomics Society and was an attempt to bridge the two schools of thought about usability and desirability.

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