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65 D´ÓµÚÒ»¶Îµ¹ÊýµÚ¶þ¾ä¡°Because it was released in the era of the Great Depression and Mitchell
worried the high $3.00 price would ruin its chance for success.¡±¿ÉÒÔ¿´³ö£¬µ±Ê±ÃÀ¹úÕý´¦ÓÚ´óÏôÌõʱÆÚ£¬ËùÒÔ´ð°¸Ñ¡D¡£ AÏ¡°the top bestseller of all time¡±»ìÏýÊÇ·Ç¡£BÏîûÌáµ½£¬¶øÇÒ´ÓÎÄÕ¿´²»³öÀ´¡£CÏî´íÔÚ¡°too¡±µÄ´ë´ÇÉÏ£¬ËäȻʱ´¦´óÏôÌõ£¬Mitchell¡°µ£ÐÄ¡±3ÃÀÔªµÄ¼Û¸ñ£¬µ«ÊÇ´ÓÏúÁ¿µÄÊÂʵ¿´£¬3ÃÀԪ̸²»ÉÏ¡°too high¡±,Ö»ÊÇÒ»ÖÖMitchell ¡°µ£ÐÄ¡±¶øÒÑ¡£ 66. ´ð°¸B£¬¶ÌÓïÅжÏÌ⣬´Ó¶ÌÓïÇ°ÃæµÄAfrican Americans in the 19th century South£¬¼°hands ¿ÉתÒåΪ¡°ÀͶ¯Á¦¡±¿ÉÅжϳö¡£
67. ´ð°¸D£¬±¾ÌâµÄ´ð°¸Ó¦ÔÚÎÄÕµÄÈý¡¢ËÄÁ½¶Î¡£ÔÚµÚÈý¶ÎÖУ¬ÎÄѧÆÀÂÛ¼ÒPatrician Yaeher ÈÏΪ
С˵×÷Õß½«ÃÀ¹úºÚÈËÃèÊöΪ as creatures of small intelligence²¢Ëµ×÷Õß blind to racial oppression ¡.£»µÚËĶοªÊ¼ÎÄÕÂÓÃYet תÕÛ£¬ËµÃ÷ there are complexities in the way that Mitchell dealth with racial issues, ²¢ÒýÖ¤ÁËÁíһλÎÄѧÆÀÂÛ¼Ò David O?ConnellµÄÑÔÂÛ ¡°African Americans and Irish Americans are treated ?in precisely the same way?¡±, ¹ÊӦѡD¡£¶Á3¡¢4Á½¶Î£¬¿ÉÖªA¡¢B¡¢C²¢Ã»ÓбíÊö¡£
68. ´ð°¸B£¬±¾Ìâϸ½ÚÌ⣬´ÓµÚÎå¶ÎµÄ Students should be told that Gone with the Wind presents the
wrong view of slavery¡.. ¼°In the same complaint were several other books: The Nigger of the ?Narcissus?, Uncle Tom?s Cabin¡¿É֪ӦѡB ´ÓµÚ5¶Î¿ÉÖªJames Loewen²¢Ã»Óи߶ÈÔÞÑïÃÀ¹úÀúÊ·½Ì¿ÆÊ飬Òò´ËAÏî´íÎó¡£CÏîµÄ±íÊöÊÇracial slur ¡°nigger¡±ÊÇÒ»ÖÖд×÷¼¼ÇÉ£¬ÊÇ´íÎóµÄ£¬ÒòΪ´ÓµÚ4¶Î×îºó4ÐпÉÒÔ¿´³öEthnic slurs(ÖÖ×åÃï³Æ) on the Irish and Irish stereotypes spread in every part of the novel, O?Connell claims, and Scarlett is not an exception to the insults¡£´ÓµÚ5¶ÎµÚ2¾äStudents should be told that Gone with the Wind presents the wrong view of slavery ¿ÉÒÔ¿´³ö£¬DÏîµÄ±íÊöÊÇ´íÎóµÄ¡£
69. D ±¾ÌâÊÇÍÆÀíÅжÏÌ⣬´ÓÎÄÕÂ×îºóÒ»¶ÎµÄ Another criticism of the novel is that it promotes
plantation values. Mitchel biographer Marianne Walker, author of Margaret of Mitchell & John Marsh: The Love Story Behind Gone with the Win, is the opinion that those who believe Gone with the Wind promotes plantation values have not read the book.?, ˵Ã÷µçӰûÓÐÊ®·ÖÖÒʵÓÚÔÎÄ¡£BÏî²»ÊÇÍÆ¶Ï³öÀ´µÄ£¬³ö×Ô×îºóÒ»¶ÎÖеÄԾ䡰Walker states it is the popular 1939 film that ?promotes a false notion of the Old South¡±¡£´ÓPerhaps the most enduring legacy(ÒŲú) of Gone with the Wind is that people worldwide would incorrectly think it was the true story of the Old South¿ÉÖªCÊÇ´íµÄ¡£
70. ´ð°¸Ñ¡C¡£Í¨¶ÁÈ«ÎÄ£¬ÊáÀí¸÷¸öÆÀÂÛ¼Ò¶ÔС˵µÄ²»Í¬ÆÀ¼Û£¬¿ÉÑ¡³öC¡£ µÚËIJ¿·Ö ÈÎÎñÐÍÔĶÁ
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